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Tony BoggsJoshua Treble - Cymbals [pan054] (February 24, 2011)

something has gone horribly wrong 8-p
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Panospria celebrates 7 years online with the return of Joshua Treble, co-founder of Aii (alongside Accelera Deck) as a sub-label of Pitchcadet back in 1999.



This audio is part of the collection: Panospria
It also belongs to collection: Netlabels

Artist/Composer: Tony Boggs
Date: 2011-02-24
Keywords: Electronic, Post-rock, Experimental

Creative Commons license: Attribution-NonCommercial-NoDerivs 2.5 Canada


Notes

Recordings from 2008 & 2009. Please play loud and alone.

Individual Files

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Audio Files Columbia Peaks VBR MP3 Ogg Vorbis PNG Essentia High GZ Essentia Low GZ Spectrogram
Mikale 41.0 KB 
10.1 MB 
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Hissatsu Folder 38.1 KB 
7.5 MB 
1.9 MB 
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2.0 KB 
23.0 KB 
313.9 KB 
Before Pale 50.3 KB 
10.2 MB 
2.6 MB 
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24.5 KB 
305.9 KB 
Can't Come Back Bear 21.3 KB 
6.3 MB 
1.5 MB 
11.1 KB 
2.0 KB 
22.7 KB 
303.1 KB 
Owlamute 43.3 KB 
10.6 MB 
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9.4 KB 
2.0 KB 
24.3 KB 
313.1 KB 
RCA 32.7 KB 
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11.1 KB 
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23.1 KB 
314.8 KB 
Two Two Wives 44.0 KB 
9.5 MB 
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11.7 KB 
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23.6 KB 
320.3 KB 
Braille Cassette 35.1 KB 
7.6 MB 
2.1 MB 
11.1 KB 
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23.6 KB 
311.0 KB 
13 Audio Knuckles 35.2 KB 
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Collapsed Repeating 45.9 KB 
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23.6 KB 
289.0 KB 
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Cover Image 196.5 KB 
7.9 KB 
Information FormatSize
pan054_files.xml Metadata [file] 
pan054_meta.xml Metadata 1.4 KB 
pan054_reviews.xml Metadata 1.6 KB 
Other Files Archive BitTorrent
pan054_archive.torrent 19.5 KB 

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Reviewer: kh4n - 5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars5.00 out of 5 stars - March 7, 2011
Subject: review from Disquiet
There's "Mikale," in which a jackboot rhythm gives way to a jangle of sliding notes and elastic dubby effects. Then "Hissatsu Folder," with its broken-speaker-cone guitar feedback atop a hospital beep, eventually subsiding into something less dub and more akin to cash-register juju. And then there is "Before Pale," in which a strummed guitar with an insistent pulse, buttressed with new-wave echo, pits itself against a terse, occasional bass line and a rising whorl of noise, like nothing so much as an early Cure song.

With these three very different songs, the excellent collection Cymbals by Joshua Treble sets up its tools, its process, and its destination: guitar and electronics, edging toward monotone pop. A brief liner note states, simply: "Recordings from 2008 & 2009. Please play loud and alone." It's easily one of the most confident netlabel releases thus far this year, filled with simple gestures that are then given time to develop, like how in "Braille Cassette" the lead line slowly maneuvers its way out of the background, or how the sinewy white-noise melody of "Two Two Wives" ekes out its own space through repetition and stasis.

http://www.disquiet.com

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